Please use this identifier to cite or link to this item: https://dspace.univ-adrar.edu.dz/jspui/handle/123456789/7983
Title: Adopted Romanticism in Washington Irving's “Rip Van Winkle” and Edgar Allan Poe's “The Fall of House of Usher”
Authors: Koubi, Hamida
Djellouli, Ismail / supervisor
Keywords: Romanticism movement
Light Romanticism
Dark Romanticism
Mouvement du romantisme
Romantisme de la lumière
Romantisme sombre.
Issue Date: 2022
Publisher: University Ahmed Draya - Adrar
Abstract: This research focuses on the discipline of literature studies. Such research is crucial to clarify the application of the light and dark romanticism subgenres of Romanticism, specifically how the former is used in Washington Irving's short story "Rip Van Winkle" and a detailed examination of the narrative from a romantic viewpoint. In contrast, the latter is employed in Edgar Allan Poe's short story "The Fall of the House of Usher" by highlighting the plot's darker aspects and the significance of the author's personal history. Furthermore, the differences between the two subgenres has been pointed out.
Cette recherche porte sur la discipline des études littéraires. Une telle recherche est cruciale pour clarifier l'application des sous-genres de romantisme clair et sombre du romantisme, en particulier comment le premier est utilisé dans la nouvelle de Washington Irving "Rip Van Winkle" et un examen détaillé du récit d'un point de vue romantique. En revanche, ce dernier est employé dans la nouvelle d'Edgar Allan Poe "La chute de la maison Usher" en soulignant les aspects les plus sombres de l'intrigue et l'importance de l'histoire personnelle de l'auteur. De plus, les différences entre les deux sous-genres ont été soulignées
Description: Anglophone Civilization & Literature
URI: https://dspace.univ-adrar.edu.dz/jspui/handle/123456789/7983
Appears in Collections:Mémoire de Master

Files in This Item:
File Description SizeFormat 
Adopted Romanticism in Washington Irving's.pdf930.4 kBAdobe PDFView/Open


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.