Please use this identifier to cite or link to this item:
https://dspace.univ-adrar.edu.dz/jspui/handle/123456789/5073
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | لفقيري, كريمة | - |
dc.contributor.author | خلادي, محمد الامين / مؤطر | - |
dc.date.accessioned | 2021-04-05T09:14:20Z | - |
dc.date.available | 2021-04-05T09:14:20Z | - |
dc.date.issued | 2020-12-15 | - |
dc.identifier.uri | https://dspace.univ-adrar.edu.dz/jspui/handle/123456789/5073 | - |
dc.description.abstract | Istudy in my work the emploement of Algowal in Algerian contemporary theater. In particular at the Algerian writer and theatrical man, abdelkadder alloula (1939-1994). And how he employ his fonous trilogy heritag expresions (AlgowalAdjwade – Veiling) as a sample of study. Furthermore, i seems that Algowal has effected the recie vor Advice. Abdelkader Alloula in this case based on the heritage to mise the post and the presnt. | en_US |
dc.publisher | جامعة احمد دراية - ادرار | en_US |
dc.subject | المسرح | en_US |
dc.subject | التراث | en_US |
dc.subject | القوال | en_US |
dc.subject | الحلقة | en_US |
dc.subject | المداح | en_US |
dc.subject | الاجواد | en_US |
dc.subject | عبد القادر علولة | en_US |
dc.subject | علولة | en_US |
dc.subject | Theater | en_US |
dc.subject | Heritage | en_US |
dc.subject | Algowal | en_US |
dc.subject | Episode | en_US |
dc.subject | Meddah | en_US |
dc.subject | Adjwade | en_US |
dc.subject | Veiling | en_US |
dc.subject | Sayings | en_US |
dc.title | توظيف القوال في المسرح الجزائري المعاصر | en_US |
dc.title.alternative | ثلاثية عبد القادر علوله (الاقوال الاجواد اللثام) أنموذجا | en_US |
dc.type | Thesis | en_US |
Appears in Collections: | Mémoires de Master |
Files in This Item:
File | Description | Size | Format | |
---|---|---|---|---|
توظيف القوال في المسرح الجزائري المعاصر.pdf | 8 MB | Adobe PDF | View/Open |
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.